Anthea Kraut, “Choreographing Copyright: Race, Gender, and Intellectual Property Rights in American Dance” (Oxford UP, 2015)
Is it possible to lay claim to ownership of a dance? Is choreography intellectual property? How have shifting conceptions of race and gender shaped the way we think of dance, property and ownership? In Choreographing Copyright: Race, Gender and Intellectual Read More
James Nott, “Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960” (Oxford UP, 2016)
In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain… Read More
Clare Croft, “Dancers as Diplomats: American Choreography in Cultural Exchange” (Oxford UP, 2015)
What’s missing from our understanding of the role of dancers in the context of American Cultural Diplomacy? Clare Croft‘s first book, Dancers as Diplomats: American Choreography in Cultural Exchange (Oxford University Press, 2015) provides a range of thoughtful, well-researched… Read More
Bill T. Jones, “Story/Time: The Life of An Idea” (Princeton UP, 2014)
When does a dance become a book? How does choreography lend itself to the page? What discontents exist in theorizing performance that are best explored through the written word? And how does one distill the hours of embodied practice into… Read More
Wendy Oliver and Lindsay Guarino, eds., “Jazz Dance: A History of the Roots and Branches” (University Press of Florida, 2014)
Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver Read More
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