Clare Croft, “Dancers as Diplomats: American Choreography in Cultural Exchange” (Oxford UP, 2015)
What’s missing from our understanding of the role of dancers in the context of American Cultural Diplomacy? Clare Croft‘s first book, Dancers as Diplomats: American Choreography in Cultural Exchange (Oxford University Press, 2015) provides a range of thoughtful, well-researched… Read More
Bill T. Jones, “Story/Time: The Life of An Idea” (Princeton UP, 2014)
When does a dance become a book? How does choreography lend itself to the page? What discontents exist in theorizing performance that are best explored through the written word? And how does one distill the hours of embodied practice into… Read More
Wendy Oliver and Lindsay Guarino, eds., “Jazz Dance: A History of the Roots and Branches” (University Press of Florida, 2014)
Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver Read More
Sherrie Tucker, “Dance Floor Democracy: The Social Geography of Memory at the Hollywood Canteen” (Duke UP, 2014)
Cultural memory of World War II frequently draws on swing music and the USO dance floor as symbols of how the country came together in support of the war effort. Frequently, the term “the Greatest Generation” is used to exemplify… Read More
Rebecca Rossen, “Dancing Jewish: Jewish Identity in American Modern and Postmodern Dance” (Oxford UP, 2014)
How does an author craft a work that speaks across the boundaries of dance studies, Jewish studies and gender studies? What does it mean for dance to function as a site for probing complex questions of racial, ethnic and cultural… Read More
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