Andrew Field, “Shanghai’s Dancing World: Cabaret Culture and Urban Politics, 1919-1954” (The Chinese University Press, 2010)
“To think of Shanghai is to think of its nightlife: the two are synonymous.” From here, Andrew Field takes us on a dance across modern Chinese history, through its nightscapes and ballrooms, into the sprawls of its settlements and the… Read More
Peter Filichia, “Broadway Musicals: The Biggest Hit and the Biggest Flop of the Season 1959-2009” (Applause, 2010)
Speaking to long time theater critic Peter Filichia, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia. His spirit is enthusiastic and… Read More
George Hunka, “Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama” (Eyecorner Press, 2011)
George Hunka’s book Word Made Flesh: Philosophy, Eros, and Contemporary Tragic Drama (Eyecorner Press, 2011) offers a series of challenges, provocations and meditations on Theatre (with a capital “T”). It’s a valuable piece of work to wrestle with, inviting both… Read More
Martin Denton, “Plays and Playwrights 2011” (NYTE, 2011)
The world of “Off-Off Broadway” has been fertile soil for new American plays for decades. Since the late 1990s, one of its most fervent boosters and chroniclers has been Martin Denton, the founder of nytheatre.com and the editor and… Read More
Pamela Cobrin, “From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage” (Delaware, 2009)
Pamela Cobrin‘s book From Winning the Vote to Directing on Broadway: The Emergence of Women on the New York Stage, 1880-1927 (University of Delaware Press, 2009) investigates the suffragists and early feminists through the lens of performance. Broadly defining… Read More
Social media & sharing icons powered by UltimatelySocial