E.J. Swift, “Paris Adrift” (Solaris, 2018)
Paris has a way of resisting history, absorbing change gradually instead of being transformed by it. The same can be said of Hallie, the protagonist of E.J. Swift’s Paris Adrift (Solaris, 2018), who is compelled by the threat of… Read More
Koritha Mitchell, ed., “Iola Leroy Or, Shadows Uplifted” by Frances E.W. Harper (Broadview Editions, 2018)
Frances Ellen Watkins Harper’s nineteenth-century novel Iola Leroy has not always been considered a core text in the canon of African American literature. Indeed, throughout much of the twentieth century, her work was dismissed as derivate and was erased by… Read More
Patrice Sarath, “The Sisters Mederos” (Angry Robot, 2018)
There is something almost sweetly Victorian about the new fantasy novel, The Sisters Mederos (Angry Robot, 2018), by Patrice Sarath, which concerns two young sisters enduring misfortune. The opening chapters reminded me of the childhood classic, The Little Princess Read More
Adrienne Sharp, “The Magnificent Esme Wells” (Harper, 2018)
At six, Esme Wells has never attended school, but she has already learned how to take care of her father: accompany him to the racetrack, load up on hot dogs when asked, and keep an eye open for stray tickets… Read More
Mur Lafferty, “Six Wakes” (Orbit, 2017)
Rob Wolf interviews Mur Lafferty about Six Wakes (Orbit, 2017), her novel about murdered clones that received nods for this year’s Philip K. Dick and Nebula awards—and, after the interview was recorded, the Hugo Award as well. Lafferty is no… Read More
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