Gillian M. Rodger, “Just One of the Boys: Female-to-Male Cross-Dressing on the American Variety Stage” (U Illinois Press, 2018)
In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger, author of Just One of Read More
John Gennari, “Flavor and Soul: Italian America and Its African American Edge” (U Chicago Press, 2017)
In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States. Using an auto-ethnographic lens, Gennari… Read More
Imani Perry, “May We Forever Stand: A History of the Black National Anthem” (UNC Press, 2018)
Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a… Read More
Marc Hertzman, “Making Samba: A New History of Race and Music in Brazil” (Duke UP, 2013)
In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law, racial democracy… Read More
Emily Petermann, “The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction” (Camden House, 2014)
The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnections. Readers are invited to… Read More
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