Kimbrew McLeod and Peter DiCola, “Creative License: The Law and Culture of Digital Sampling” (Duke University Press, 2011)
One hallmark of important art, in any medium, is a thoughtful relation with artistic precursors. Every artist reckons with heroes and rivals, influences and nemeses, and the old work becomes a part of the new. In Adam Bradley’s seminal monograph… Read More
Robert J. Corber, “Cold War Femme: Lesbianism, National Identity, and Hollywood Cinema” (Duke University Press, 2011)
The study of non-heteronormative sexualities in the academy continues to be remarkably dynamic. Despite the usual attempts to harden the frame around this scholarship, it remains consistently exciting and surprising. Robert J. Corber is one of the reasons why. His… Read More
Eric Rath, “Food and Fantasy in Early Modern Japan” (University of California Press, 2010)
Cuisine in early modern Japan was experienced and negotiated through literature and ritual, and the uneaten or inedible was often as important as what was actually consumed. Eric Rath‘s recent book Food and Fantasy in Early Modern Japan (University… Read More
Erin Haney, “Exposures: Photography and Africa” (Reaktion Books, 2010)
In Chapter 3 of Erin Haney’s excellent book Photography and Africa (Reaktion Books, 2010) there are seven photos taken in central Africa at the turn of the 19th and 20th centuries. Six advertise progress – from the smartly dressed and… Read More
Antonia Levi, Mark McHarry, and Dru Pagliasotti, “Boy’s Love Manga: Essays on the Sexual Ambiguity and Cross-Cultural Fandom of the Genre” (McFarland, 2010)
Growing up in the suburbs of Indianapolis, Indy-car racing offered my friends and me some very exciting heroes. As children, we played “Indy 500” on our bikes in the cul-de-sac. As we became teenagers, the Indy-car drivers who descended on… Read More
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