BOOKS RECEIVED: Wolfgang Fuhrmann, “Imperial Projections: Screening the German Colonies” (Berghahn Books, 2017)
The beginning of filmmaking in the German colonies coincided with colonialism itself coming to a standstill. Scandals and economic stagnation in the colonies demanded a new and positive image of their value for Germany. By promoting business and establishing a… Read More
BOOKS RECEIVED: Tarja Laine: Bodies in Pain: Emotion and the Cinema of Darren Aronofsky (Berghahn Books, 2017)
The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often… Read More
BOOKS RECEIVED: George Butte, “Suture and Narrative: Deep Intersubjectivity in Fiction and Film” (Ohio State UP, 2017)
Suture and Narrative: Deep Intersubjectivity in Fiction and Film by George Butte offers a new phenomenological understanding of how fiction and film narratives use particular techniques to create and represent the experience of community. Butte turns to the concept of… Read More
BOOKS RECEIVED: Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2016)
Buy from University Press Books It is often taken for granted that French cinema is intimately connected to the nation’s sense of identity and self-confidence. But what do we really know about that relationship? What are the nuances, insider codes,… Read More
BOOKS RECEIVED: Eric C. Brown, “Milton on Film” (Duquesne UP, 2015)
In January 2012, shooting was set to begin in Sydney, Australia, on the Hollywood-backed production of Miltons Paradise Lost, with Oscar nominee Bradley Cooper cast as Satan. Yet just two weeks before the start of production, Legendary Pictures delayed the… Read More
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