Peter Hoar, “The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940” (Otago University Press, 2018)
In his new book, The World’s Din: Listening to Records, Radio and Films in New Zealand 1880–1940 (Otago University Press, 2018), Peter Hoar, a senior lecturer in radio and media history at Auckland University of Technology, explores how… Read More
Jacob Smith, “Eco-Sonic Media” (University of California Press, 2015)
Can we have sound media that is ecologically sound? Can we fine tune our media production and consumption habits to a greener key? How can an environmental perspective on sound media contribute to our understanding of how media culture is… Read More
Rebecca Tuhus-Dubrow, “Personal Stereo” (Bloomsbury Academic, 2017)
Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story, the… Read More
Karmen MacKendrick, “The Matter of Voice: Sensual Soundings” (Fordham UP, 2016)
Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints, but irreducibly collective… Read More
Jennifer Fleeger, “Mismatched Women: The Siren’s Song Through the Machine” (Oxford UP, 2014)
Jennifer Fleeger‘s Mismatched Women: The Siren’s Song Through the Machine (Oxford University Press, 2014) tells the story of women in film and their representation as aberrations, but also as moments of emancipation and agency. Fleeger’s book discusses exceptional… Read More
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