Andre Sirois, “Hip-Hop DJs and the Evolution of Technology: Cultural Exchange, Innovation, and Democratization” (Peter Lang, 2016)
What is the role of the deejay in shaping hip-hop? Did deejays shape the technology that is used to create the music or were they simply consumers of mixers, faders, and microphones? What is the relationship between deejays and the… Read More
Rebecca Scales, “Radio and the Politics of Sound in Interwar France, 1921-1939” (Cambridge UP, 2016)
What did sound mean to French people as radio and other listening technologies began to proliferate in the early twentieth century? What was the nature and significance of French auditory culture in the years between the two world wars? These… Read More
Ana Marcia Ochoa Gautier, “Aurality: Listening and Knowledge in Nineteenth-Century Colombia” (Duke UP, 2014)
Beyond what people say, what their voices sound like matters. Voice, as Ana Marcia Ochoa Gautier argues in this marvelous new book Aurality: Listening and Knowledge in Nineteenth Century Colombia(Duke University Press, 2014), was embedded in 19th-century conversations and… Read More
Isaac Weiner, “Religion Out Loud: Religious Sound, Public Space, and American Pluralism” (NYU Press, 2014)
In 2004, the traditionally Polish-Catholic community of Hamtramck Michigan became the site of a debate over the Muslim call to prayer. Members of the Hamtramck community engaged in a contest about the appropriateness of sound and its intrusion into public… Read More
Thomas Bey William Bailey, “Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society” (Belsona Books, 2012)
Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture. Thomas traces the history of self-released audio from its… Read More
Social media & sharing icons powered by UltimatelySocial