New Books Network

Seán Crosson, “Gaelic Games on Film” (Cork UP, 2019)
Today we are joined by Seán Crosson, leader of the Sport and Exercise Research Group at NUI Galway, co-director of the MA in Sports Journalism and Communication, and Professor at the Huston School of Film and Digital Media.  He is also the author of Gaelic Games on Film: From Silent... Read More
Simone Knox and Kai Hanno Schwind, “Friends: A Reading of the Sitcom” (Palgrave Macmillan, 2019)
What does Friends mean to us now? In Friends: A Reading of the Sitcom (Palgrave Macmillan, 2019), Simone Knox, an Associate Professor in the Department of Film, Theatre, and Television at the University of Reading, and Kai Hanno Schwind, an Associate Professor in the School of Arts, Design and Media... Read More
Hunter Vaughan, “Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies” (Columbia UP, 2019)
In his new book, Hollywood’s Dirtiest Secret: The Hidden Environmental Costs of the Movies (Columbia University Press, 2019), Hunter Vaughan offers a new history of the movies from an environmental perspective, noting that both filmmaking and film viewing has an often-hidden impact on the environment. He reviews four blockbusters, “Gone... Read More
Claudia Moscovici, “Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films” (Hamilton, 2019)
Claudia Moscovici’s recent book, Holocaust Memories: A Survey of Holocaust Memoirs, Histories, Novels, and Films (Hamilton Books, 2019), is intended for educators and politicians to draw attention to and educate people about the Never Again Education Act. Moscovici: “Nearly eighty years have passed since the Holocaust. There have been hundreds... Read More
Alicia Izharuddin, “Gender and Islam in Indonesian Cinema” (Palgrave Macmillan, 2017)
Since the fall of the Indonesian New Order regime in 1998 there has been a steady rise of Islamic popular culture in the nation. Muslim consumers and producers have cultivated a mediated domain where they can encounter commercial entertainment though the prism of spiritual reflection and piety. In Gender and... Read More
Liz Gloyn, “Tracking Classical Monsters in Popular Culture” (Bloomsbury Academic, 2019)
What is it about ancient monsters that popular culture still finds so enthralling? Why do the monsters of antiquity continue to stride across the modern world? In Tracking Classical Monsters in Popular Culture (Bloomsbury Academic, 2019), the first in-depth study of how post-classical societies use the creatures from ancient myth,... Read More
Elena Past, “Italian Ecocinema: Beyond the Human” (Indiana UP, 2019)
Elena Past’s recently published Italian Ecocinema: Beyond the Human (Indiana University Press, 2019) studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment. The films span a number of regions and ecospheres within Italy: the Adriatic, site... Read More
Aisha Shillingford and Terry Marshall, “Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda” (WDL, 2019)
Wakanda Dream Lab’s anthology, Black Freedom Beyond Borders: Re-Imaging Gender in Wakanda, features the work of writers, artists, and activists, as they imagine gender justice through the framework of Wakanda. The various stories and pieces are creative and thought-provoking as they center the voices, experiences, and visions of Black and... Read More
Rico Isaacs, “Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia” (I.B. Tauris, 2018)
In Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia (I.B. Tauris, 2018), Rico Isaacs uses cinema as an analytical tool to demonstrate the constructed and contested nature of Kazakh national identity. By first tracing the evolution of Kazakh national identity formation and then analyzing data from... Read More
Mariëlle Wijermars, “Memory Politics in Contemporary Russia: Television, Cinema, and the State” (Routledge, 2018)
In her new book, Memory Politics in Contemporary Russia: Television, Cinema and the State (Routledge, 2018), Mariëlle Wijermars discusses how history is being reimagined in pop culture and by the Russian government to give legitimacy and a sense of history to the Putin regime. She discusses the political reimagining overtime... Read More