Support H-Net | Buy Books Here | Help Support the NBN and NBN en Español on Patreon | Visit New Books Network en Español!
- African Studies
- African American Studies
- American Politics
- American Studies
- American South
- American West
- Asian American Studies
- Australian and New Zealand Studies
- British Studies
- Canadian Studies
- Caribbean Studies
- Central Asian Studies
- Chinese Studies
- East Asian Studies
- Eastern European Studies
- European Politics
- French Studies
- German Studies
- Iberian Studies
- India Studies
- Indian Ocean World
- Iranian Studies
- Irish Studies
- Israel Studies
- Italian Studies
- Japanese Studies
- Korean Studies
- Latino Studies
- Latin American Studies
- Mexican Studies
- Middle Eastern Studies
- Native American Studies
- Pacific Studies
- Polish Studies
- Russian and Eurasian Studies
- Southeast Asian Studies
- South Asian Studies
- Turkish Studies
- Ukrainian Studies
- Western European Studies
- World Affairs
- Animal Studies
- Anthropology
- Archaeology
- Business, Management, and Marketing
- Media
- Critical Theory
- Disability Studies
- Drugs, Addiction and Recovery
- Education
- Economics
- Finance
- Geography
- Gender Studies
- Genocide Studies
- Higher Education
- Human Rights
- Journalism
- Language
- Law
- LGBTQ+ Studies
- National Security
- Philosophy
- Policing, Incarceration, and Reform
- Political Science
- Politics & Polemics
- Public Policy
- Sex, Sexuality, and Sex Work
- Sociology
- Sound Studies
- Sports
- Urban Studies
Dec 30, 2020
Ecologies of Resonance in Christian Musicking
Summary
Mark Porter (@mrmarkporter) explores the relationship between music, sound, space, and spirit in his new book Ecologies of Resonance in Christian Musicking (Oxford University Press, 2020). Using the analytical tools of resonance to describe the sounding and re-sounding of sonic production in different spaces, Porter uses the disciplines of musicology and ethnography to describe the worlds of relationships in an assortment of Christian musical traditions. How do the varieties of musicking from the desert monastics, to charismatic evangelicals, to live-streamed prayer rooms, among others, illustrate the different approaches of Christian musical participation? How might these different ecologies of resonance contribute toward ecumenical dialogue and understanding? Join us for a conversation with Mark Porter to hear about his excellent new study. You can find more information about Mark’s work at his website.
Ryan David Shelton (@ryoldfashioned) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
Related Topics
Your Host
Ryan Shelton
Your host, Ryan Shelton (@_ryanshelton) is a social historian of British and American Protestantism and a PhD researcher at Queen’s University Belfast.
