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Jun 14, 2022
Hurricane Girl
Summary
An interview with novelist Marcy Dermansky. Hurricane Girl (Knopf, 2022) brings us another unforgettable Dermansky-character, Allison Brody, whose rashness and seeming detachment are matched only by her commitment to finding a place in the world that is truly her own. Allison has just fled an abusive relationship, albeit one that provided a great deal of privilege, and has spent her own savings to buy a cottage on the ocean. When that cottage is lost in a freak storm, what little control Allison had felt spins slowly out of reach, first with another violent interaction with a man that leaves her with severe brain trauma, and later in Allison’s suspicions that everyone around her would like her to be someone else. In classic Dermansky style, what could be a horror novel is in fact a comedy, often riotously funny even in scenes of intense dread and violence. The final product is a novel that entertains even as it disorients, forcing us to admit that Allison’s brain injury may in fact be a source of clarity and insight into a world that operates with a cruel illogic.
Rufi Thorpe, The Knockout Queen.
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Chris Holmes
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.