Support H-Net | Buy Books Here | Help Support the NBN and NBN en Español on Patreon | Visit New Books Network en Español!
- African Studies
- African American Studies
- American Politics
- American Studies
- American South
- American West
- Asian American Studies
- Australian and New Zealand Studies
- British Studies
- Canadian Studies
- Caribbean Studies
- Central Asian Studies
- Chinese Studies
- East Asian Studies
- Eastern European Studies
- European Politics
- French Studies
- German Studies
- Iberian Studies
- India Studies
- Indian Ocean World
- Iranian Studies
- Irish Studies
- Israel Studies
- Italian Studies
- Japanese Studies
- Korean Studies
- Latino Studies
- Latin American Studies
- Mexican Studies
- Middle Eastern Studies
- Native American Studies
- Pacific Studies
- Polish Studies
- Russian and Eurasian Studies
- Southeast Asian Studies
- South Asian Studies
- Turkish Studies
- Ukrainian Studies
- Western European Studies
- World Affairs
- Animal Studies
- Anthropology
- Archaeology
- Business, Management, and Marketing
- Media
- Critical Theory
- Disability Studies
- Drugs, Addiction and Recovery
- Education
- Economics
- Finance
- Geography
- Gender Studies
- Genocide Studies
- Higher Education
- Human Rights
- Journalism
- Language
- Law
- LGBTQ+ Studies
- National Security
- Philosophy
- Policing, Incarceration, and Reform
- Political Science
- Politics & Polemics
- Public Policy
- Sex, Sexuality, and Sex Work
- Sociology
- Sound Studies
- Sports
- Urban Studies
Apr 1, 2021
Teardrops of Time
Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong
Summary
Angkarn Kallayanapong (1926-2012) was arguably Thailand’s most famous poet of the modern period. His career spanned the era from the 1940s to the 1980s when Thai society was fundamentally transformed by rapid economic development and the process of globalization. His poetry is a testament to the massive disruption, dislocation, and alienation caused by these changes, and a lament for cultural loss. As Arnika Fuhrmann argues in her new book, Teardrops of Time: Buddhist Aesthetics in the Poetry of Angkarn Kallayanapong (SUNY Press, 2020), Angkarn employed a distinctly Buddhist aesthetics to express these ideas. But Angkarn also has a claim to being a poet of global significance. The famous American “beat poet”, Allen Ginsberg - whose poetry was also influenced by Buddhism - once met Angkarn and translated and published three of his poems.
Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au.
Related Topics
Your Host
Patrick Jory
Patrick Jory teaches Southeast Asian History in the School of Historical and Philosophical Inquiry at the University of Queensland. He can be reached at: p.jory@uq.edu.au.
