Wazhmah Osman, "Television and the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Local Activists" (U Illinois Press, 2020)

May 12, 2021

Television and the Afghan Culture Wars

Brought to You by Foreigners, Warlords, and Local Activists

Wazhmah Osman

Hosted by Reighan Gillam

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Summary

Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. In Television ad the Afghan Culture Wars: Brought to You by Foreigners, Warlords, and Local Activists (University of Illinois Press, 2020), Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace. Fieldwork from across Afghanistan allowed Osman to record the voices of many Afghan media producers and people. Afghans offer their own seldom-heard views on the country's cultural progress and belief systems, their understandings of themselves, and the role of international interventions. Osman analyzes the impact of transnational media and foreign funding while keeping the focus on local cultural contestations, productions, and social movements. As a result, she redirects the global dialogue about Afghanistan to Afghans and challenges top-down narratives of humanitarian development.

Wazhmah Osman is a filmmaker and an Assistant Professor in the Departments of Globalization and Development Communication, Media Studies and Production, Media & Communication at Temple University.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.

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Reighan Gillam

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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