The People, the Workers, and the Citizens

Today we are joined by Mattie Fitch, Associate Professor at Marymount University and author of The People, The Workers and the Citizens: Antifascist Cultures and the Popular Front in France, 1934-1939 (Routledge, 2026).

In our conversation, we discussed the way that antifascist culture undergirded the French Popular Front, the tensions between the Communists, Socialists, and Radical antifascist projects, and the ways that each Popular Front party of defined “the people.”

In The People, The Workers and the Citizens, Fitch explores Popular Front antifascist programs and the cultural work that illuminated their diverse visions for a “people’s government.” The book is thematic: in her first chapter, Fitch examines the Communists’ Maison de la Culture and the Fédération musicale populaire. The communist’s efforts to produce a worker’s culture successfully mobilized French national symbols in novel ways but had difficulties navigating between high and low culture.

By contrast, chapter 2 centres on Jean Zay and the Radicals. Zay’s influence abounded and he was willing to work with anyone in the Popular Front to see cultural access extended to all French citizens. Yet his vision of a civic nationhood clashed with his Communist and Socialist allies who privileged workers.

The most enigmatic were the Socialists. Although they were the largest party in the French National Assembly, Leon Blum’s party struggled to articulate an antifascist program that encompassed all of their voters. Their pacifism proved a problem in the context of a rising Nazi Germany, and they were squeezed between the increasing nationalism of the French Communists and the Radicals’ appeal to the working class.

Fitch’s analysis moves beyond earlier studies that focus mostly (or only) on Paris. In chapters 4 and 5, she looks at the antifascist activities of politicians in Marseille and Rouen and finds two very different Popular Fronts at work in the regions. In Marseille, working class politics dominate and an authentic endogenous Popular Front culture precedes directives from the capital. While in Rouen, extremely moderate Radicals battle working class activists on the other side of town.

Fitch’s work is compelling and shines a new light on the history of the Popular Front. It will be of interest to scholars of modern France and political culture.