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Apr 24, 2015
Nationalism and the Cinema in France
Political Mythologies and Film Events, 1945-1995
Summary
Hugo Frey's new book, Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995 (Berghahn Books, 2014) distinguishes between a national cinema (films made in France) and a nationalist cinema motivated by the specific agenda to promote une certaine idee de la France. Working with ideas about "political mythology" and the "film event," Frey analyses a series of films and filmmakers, including: Michel Audiard, Jean-Luc Godard, Claude Lelouch, Jean-Pierre Melville, Marcel Pagnol, Jean Renoir, Jacques Tati, and Francois Truffaut.
Contributing to a vast and complex field of work on the cinema in France since 1945, Nationalism and the Cinema in France offers readers an analysis of French "metafilms" (films about film and filmmaking) in the postwar period; the representation of French history and modernity; the conversation between French cinema and Hollywood (and France and the United States more generally); the complex relationship between French film, nationalism, and empire; antisemitism; and the politics of the extreme Right up to the mid-1990s.
In our conversation, Hugo and I consider the legacies of the fifty year period covered in the book, including the links between the issues discussed in its pages and more contemporary struggles over national identity and difference.
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Your Host
Roxanne Panchasi
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and empire. She is the founding host of New Books in French Studies, a channel launched in 2013.
