Stevphen Shukaitis

The Composition of Movements to Come

Aesthetics and Cultural Labor after the Avant-Garde

Rowman and Littlefield 2016

New Books in ArtNew Books in Arts & LettersNew Books in Critical TheoryNew Books in European StudiesNew Books in Peoples & PlacesNew Books in PoliticsNew Books in Politics & SocietyNew Books Network October 5, 2016 Dave O'Brien

How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning...

How is the notion of the avant-garde in art relevant today? What can contemporary social movements learn from the Situationists? What is the meaning of artistic value to forms of resistance? These, and many other, questions associated with the role of art in modern society are at the heart of The Composition of Movements to Come (Rowman and Littlefield, 2016). Stevphen Shukaitis, a senior lecturer in work and organisation at the University of Essex, approaches these issues from an Autonomist Marxist perspective, thinking through a diverse range of issues, for example cultural labour, and practices, for example the art strike. The book also uses a range of artistic examples, including a detailed engagement with Neue Slowenische Kunst to think through the composition of movements to come. The podcast discusses a forthcoming exhibition of the work of Gee Vaucher at Firstsite in Essex, UK. The book will be of interest to critical theorists, as well as scholars from art, politics and social movement studies.

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