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Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Manchester.
How can music change people’s lives? In Music Refuge: Living Asylum Through Music (Oxford UP, Press 2025) Ailbhe Kenny, an Associate Professor in Musi…
Are jobs fair? In The Accidental Equalizer: How Luck Determines Pay after College (U Chicago Press, 2023), Jessi Streib, an associate Professor of So…
Is the home still a site for feminist resistance? In Feminisms and Domesticity in Times of Crisis: The Rise of the Austerity Celebrity Jessica Martin,…
How have jobs changed in the last 150 years? In The Division of Rationalized Labor (Harvard UP, 2025) Michelle Jackson, an Associate Professor in the …
Is culture good for you? In Art Cure: The Science of How the Arts Save Lives (Cornerstone Press, 2026) Daisy Fancourt, a Professor of Psychobiology & …
Who are the people staffing the digital economy? In The Social Codes of Tech Workers: Class Identity in Digital Capitalism (MIT Press, 2025) Robert Do…
What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, …
How can cultural industries survive in the twenty-first century? In Opera Wars Inside the World of Opera and the Battles for Its Future Caitlin Vincen…
How has central London changed in the last 100 years? In Songs of Seven Dials An Intimate History of 1920s and 1930s London (Manchester UP, 2025), Mat…
Who gets involved in politics? In Capital, Privilege and Political Participation (Liverpool UP, 2025) Joe Greenwood-Hau a Lecturer in the John Smith C…
How are influencers changing the arts? In Influencer Creep: How Optimization, Authenticity, and Self-Branding Transform Creative Culture (U California…
How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin America…
Which parts of life are serious, and which are a game? In Critical Games: On Play and Seriousness in Academia, Literature and Life (Manchester UP, 202…
What does it mean to be an artist? In Artists At Work: Rethinking Policy for Artistic Careers (Stanford UP, 2025) Joanna Woronkowicz, the co-founder o…
How is the world of work depicted on page and on screen? In Culture, Capital and Carnival: Modern Media and the Representation of Work Dr Will Kitchen…
Why is radio so white? In Listeners Like Who? Exclusion and Resistance in the Public Radio Industry (Princeton UP, 2025) Laura Garbes, a Sociologist a…
What do children believe in? In Growing Up Godless: Non-Religious Childhoods in Contemporary England (Princeton UP, 2025) Anna Strhan, a Reader in the…
How does sociology help to explain modern life? In A Sociology of Awkwardness: On Social Interactions Going Wrong (Routledge, 2025), Pauwke Berkers, a…
What is the relationship between culture and trade? In Trading on Art: Cultural Diplomacy and Free Trade in North America Sarah E. K. Smith, an Associ…
Why does critical theory matter today? In Critical Theory: The Basics (Routledge, 2024), Martin Shuster, a Professor of Philosophy and the Isaac Swift…
What is the relationship between medicine and commerce? In Selling Sexual Knowledge: Medical Publishing and Obscenity in Victorian Britain (Cambridge …
Sarah Kenny Growing up and going out: Youth culture, commerce and leisure space in post-war Britain Manchester University Press 2025 How did young pe…
Who are 'gifted' children? In ‘Gifted Children’ in Britain and the World: Elitism and Equality since 1945 Jennifer Crane, a senior lecturer in the Sch…
How can cultural organisations better support diversity? In Achieving Creative Justice in the U.S. Creative Sector antonio c. cuyler, Professor of Mus…