A.I. is Spielberg & Kubrick’s Dark Twisted Fantasy

Summary

It’s the UConn Popcast, and A.I. Artificial Intelligence, Steven Spielberg’s 2001 movie, is a strange and profound text on human-AI relations. Centering on David, an artificial child who is embraced and then abandoned by his adoptive human mother, the movie has the structure of a fairy tale and the sensibility of a horror film. We found the text to have significant things to say about the ethics of creating, and rejecting, artificial life, as well as functioning as something of a meta-commentary on related movies like Blade Runner and 2001: A Space Odyssey. But we were most intrigued by Stanley Kubrick’s influence on the movie, which was a longtime project of his that he abandoned in his final years and handed over to Spielberg.

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The Pop Culture Professors

Analysis of popular culture and how it shapes society, with an emphasis on film and television. Features in-depth discussion, interviews with prominent scholars, and recordings of live shows. Hosted by Stephen Dyson, the associate director of the University of Connecticut Humanities Institute, and a professor of political science, and Jeffrey R. Dudas, professor of political science and affiliate faculty of American Studies at the University of Connecticut.

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