Kwame Edwin Otu, "Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making in Neoliberal Ghana" (U California Press, 2022)


Amphibious Subjects: Sasso and the Contested Politics of Queer Self-Making in Neoliberal Ghana (University of California Press, 2022) is an ethnographic study of a community of self-identified effeminate men--known in local parlance as sasso--residing in coastal Jamestown, a suburb of Accra, Ghana's capital. Drawing on the Ghanaian philosopher Kwame Gyekye's notion of "amphibious personhood," Kwame Edwin Otu argues that sasso embody and articulate amphibious subjectivity in their self-making, creating an identity that moves beyond the homogenizing impulses of western categories of gender and sexuality. Such subjectivity simultaneously unsettles claims purported by the Christian heteronationalist state and LGBT+ human rights organizations that Ghana is predominantly heterosexual or homophobic. Weaving together personal interactions with sasso, participant observation, autoethnography, archival sources, essays from African and African-diasporic literature, and critical analyses of documentaries such as the BBC's The World's Worst Place to Be Gay, Amphibious Subjects is an ethnographic meditation on how Africa is configured as the "heart of homophobic darkness" in transnational LGBT+ human rights imaginaries.

Kwame Edwin Otu is a Visiting Associate Professor of African Studies at Georgetown University and an Assistant Professor of African American and African Studies at the Carter G. Woodson Institute for African American and African Studies, University of Virginia. He wrote and starred in the award-winning short film Reluctantly Queer.

Reighan Gillam is Associate Professor in the Department of Anthropology at University of Southern California.

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Reighan Gillam

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creations. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
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