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May 22, 2018
Foucault on Painting
Summary
In Foucault on Painting (University of Minnesota Press, 2017), Catherine Soussloff discusses an area of Foucault’s development that has remained largely overlooked: his engagement with painting. Indeed Foucault, we learn, described himself as a painter. Throughout his career, he examined painting and the image as he pursued critical elements of his philosophical ideas. Soussloff examines Foucault’s engagement with periods in European art history that captured his attention in particular: the Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting of the 1960s and 1970s. The book also considers Foucault’s interest in five artists: Velázquez, Manet, Magritte, Rebeyrolle, and Fromanger. Soussloff’s study reveals the importance of art in Foucault’s philosophy, and affirms the relevancy of Foucault in consideration of the role of the image in the twenty first Century
Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu.
Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently is an Assistant Professor of Art History at California State University Dominguez Hills. Email: kellsworth@csudh.edu.
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Kirstin Ellsworth
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.
