We all know many stories about how modernity came about. But what does it mean to be “modern”? This episode comes at the question through the test case of mountain climbing and rock climbing. Claims to becoming modern through climbing often point back to Italian humanist Francesco Petrarch’s ascent of Mt. Ventoux in 1336, a climb that made him, according to many historians, “the first modern man.” But Petrarch was by no means the first person to climb Mt Ventoux, and his own account is, if anything, counter-modern. By surveying evidence of much earlier climbing in Europe and pre-contact North America, the episode argues that humans have always been climbing mountains and scaling cliffs for a wide variety of reasons. Only recently did they start to think of these achievements as making themselves “modern.” It turns out that to claim to be modern is one of the most modern things you can do.

Researcher, writer, and episode producer: Ryan McDermott, Associate Professor of English, University of Pittsburgh.

Featured Scholars:

• Shannon Arnold Boomgarden, Director of Range Creek Field Station, University of Utah
• Larry Coats, Career-line Associate Professor of Geography, University of Utah
• Peter Hansen, Professor of History, Worcester Polytechnic Institute
• Dawn Hollis, Independent Historian
• Special thanks to: Jake Grefenstette, John-Paul Heil, Jason König, Michael Krom, Michael Puett

Media and scholarship referenced:

• Hansen, Peter. The Summits of Modern Man: Mountaineering after the Enlightenment. Cambridge: Harvard University Press. 2013.
• Hollis, Dawn. “Mountain Gloom and Mountain Glory: The Genealogy of an Idea.” ISLE: Interdisciplinary Studies in Literature and Environment 26:4 (2019): 1038-61.

For transcript, teaching aids, and other resources, go here. 

Genealogies of Modernity is a limited series from the Genealogies of Modernity Project and Ministry of Ideas. Each episode takes up a well-worn story about what it means to be modern and how we got here, and then challenges that narrative with recent humanities scholarship. Genealogies of Modernity illuminates lesser-known pathways to the present and unearths overlooked resources from the past for flourishing in the future.

Genealogies of Modernity is a project of Beatrice Institute and Collegium Institute for Catholic Thought and Culture, with major support from the National Endowment for the Humanities. For responses to the series, teaching aids, as well as artwork and videos, visit genealogiesofmodernity.org.