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Feb 4, 2022
Deep Mediations
Thinking Space in Cinema and Digital Cultures
Summary
In Deep Mediations: Thinking Space in Cinema and Digital Cultures (U of Minnesota Press, 2021), co-editors Karen Redrobe and Jeff Scheible argue that the notion of “depth” is a multivalent one in the field of the humanities. In literary criticism, “depth” is a term that can qualify the profoundness of a given text and the ways that we analyze it, while for film theorists “depth” typically refers to the volume and spatial coordinates of the moving image. In the geohumanities, “deep time” names broad stretches of geological time, while in recent political discourse, the “deep state” suggestively evokes ideas about covert networks of political control. Across a range of essays on topics ranging from cinematic depth of field to deep-fake pornography, Deep Mediations brings together the work of leading scholars who collectively navigate the legacies of depth models of thought and vision, particularly in light of the “surface turn” and as these models impinge on the realms of cinema and media studies.
Jules O’Dwyer is Research Fellow in Film Studies and French at the University of Cambridge.
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Jules O'Dwyer
Jules O'Dwyer is a Research Fellow in Film Studies and French at St John’s College, Cambridge. His previous research has looked at a range of theoretical paradigms—including object-oriented thought, apparatus theory, and questions of intertextuality and stardom—through the lens of French film, ranging from 1950s ethnographic film to recent queer cinema. He is also a co-editor at the journal World Picture and he co-convenes a Research Seminar in Film and Screen Studies in Cambridge, UK.
