Jolyon Thomas

Drawing on Tradition

Manga, Anime, and Religion in Contemporary Japan

University of Hawaii Press 2012

New Books in East Asian StudiesNew Books in Peoples & PlacesNew Books in ReligionNew Books in Religion & FaithNew Books Network September 6, 2014 Kristian Petersen

The worlds of cinema and illustrated fiction are replete with exciting data for the historian of religion. Drawing on Tradition: Manga, Anime, and Religion...

The worlds of cinema and illustrated fiction are replete with exciting data for the historian of religion. Drawing on Tradition: Manga, Anime, and Religion in Contemporary Japan (University Of Hawai’i Press, 2012), by author Jolyon Thomas, sets up a robust theoretical model for examining how the concept of religion is deployed in these mediums. Thomas outlines how the category religion can be understood within the Japanese context and various reasons why religious markers and themes are reproduced in manga and anime culture. His detailed illustration of the typologies of the manga/anime/religion nexus is achieved through both narrative analysis of illustrated fiction and film, as well as ethnographies of digital and material environments. In our conversation we discussed the production and marketing elements of manga, its uses for proselytization, some ritualized responses of audiences, famous authors and their works, such as Tezuka Osamu’s Buddha, religious movements derived from manga and anime culture, the religiously nationalistic elements of Kobayashi Yoshinori’s On Yasukuni and On the Emperor, the filmic career of Miyazaki Hayao, and the role of manga in Aum Shinrikyo’s rise and fall.