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Aug 21, 2026
Mulholland Drive at 25
Film Quarterly
Summary
In this episode, J. M. Tyree, the editor of Film Quarterly discusses a dossier of articles about David’s Lynch’s 2001 Mulholland Drive on its 25th anniversary with dossier editor Eileen G’Sell.
Film Quarterly (FQ) is published four times a year by the University of California Press. For more information about the journal, including subscription and submission information, please visit FQ’s website.
If you are interested in supporting the work of UC Press and its Journals Program, please consider making a charitable donation to the UC Press Foundation. To learn more about the UC Press Foundation and how to contribute, please visit UC Press’s Support Us page.
Articles mentioned:
- “Uncanny Intimacies, Abject Desires,” by Eileen G’Sell (Film Quarterly 80 no. 1, Fall 2026)
- “The Radical Intimacy of Rot: Mulholland Drive's Queer Proliferations,” by Laura Westengard (Film Quarterly 80 no. 1, Fall 2026)
- “Sweet Dreams (Are Made of This): David Lynch, Simone de Beauvoir, and ‘Feeling Like a Feminist’,” by Lori Jo Marso (Film Quarterly 80 no. 1, Fall 2026)
- “‘That’s Not My Voice’: Telephonic Logics and Paranoid Listening in Mulholland Drive,” by Temperance Aghamohammadi (Film Quarterly 80 no. 1, Fall 2026)
- “‘This Is the Girl’: Mulholland Drive, Naomi Watts, and the Double Abjection of the Hollywood Starlet(s),” by Eileen G’Sell (Film Quarterly 80 no. 1, Fall 2026)
A complete list of University of California Press journals is available at UC Press Journals.
J. M. Tyree is the editor-in-chief of Film Quarterly and an associate professor in the Cinema Program at VCUarts.
A Rabkin winner for arts journalism, Eileen G'Sell is a film critic and teaching professor at Washington University in St. Louis.
Your Host
J. M. Tyree
J. M. Tyree (Ph.D., Lancaster University) is an associate professor in the Cinema Program at VCUarts and editor-in-chief of Film Quarterly (University of California Press), the oldest academic film journal in the United States. He was a Keasbey Scholar at Trinity College, Cambridge, and a Truman Capote-Wallace Stegner Fellow at Stanford University. His research spans film criticism and critical-creative writing, including the books BFI Film Classics: Salesman (Bloomsbury), in the series on essential classic movies from the British Film Institute, and The Haunted Screen (Deep Vellum), a novella about cinema.
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