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It’s the UConn Popcast, and in the second of our series on Thinking Machines we consider Karel Čapek’s “Rossum’s Universal Robots” (1920). Čapek’s play invented the word “robot” and pioneered the genre of the AI uprising. The play - a clear influence on works such as 2001, Blade Runner, The Terminator, and Battlestar Galactica – is a deep rumination on the boundary between the natural and artificial, the mechanical and the ineffable, and the sacred and the profane.
We react to this seminal work in popular thinking about artificial intelligence, written more than a century ago yet retaining deep resonance today.
Music by Aiva.
Analysis of popular culture and how it shapes society, with an emphasis on film and television. Features in-depth discussion, interviews with prominent scholars, and recordings of live shows. Hosted by Stephen Dyson, the associate director of the University of Connecticut Humanities Institute, and a professor of political science, and Jeffrey R. Dudas, professor of political science and affiliate faculty of American Studies at the University of Connecticut.