Selby Wynn Schwartz
writes about gender, performance, and the politics of embodiment. Her articles have been published in Women & Performance, PAJ, Dance Research Journal, TSQ: Transgender Studies Quarterly
, Critical Correspondence
, Ballet-Dance Magazine, In Dance, The Oxford Handbook of Screendance Studies,
and the forthcoming anthology (Re)Claiming Ballet
. She holds a PhD from UC Berkeley in Comparative Literature and currently teaches writing at Stanford University.
The Bodies of Others: Drag Dances and Their Afterlives
(University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others
examines the ways in which drag dances undertake the work of a shared queer and trans politics.
Isabel Machado is a Brazilian historian, living and teaching in Mexico while finishing a book about Carnival in Mobile, Alabama. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León. She also works as an Assistant Producer for the Sexing History podcast.