Brent Elliott and Roger Bowdler, "The British Cemetery: Architecture, Landscape, Sculpture" (Historic England, 2026)

Summary

Roger Bowdler and Brent Elliott’s The British Cemetery: Architecture, Landscape, Sculpture, published by Historic England (2026), traces the history of the cemetery from the 17th century to the present day. The cemetery emerged as a new landscape form in the 19th century in Britain but had deep roots in earlier churchyard practices and in fashionable garden landscape design. Cemeteries very quickly became a locus for the monumental expression of loss, family identity and social standing. The book offers a clear chronological narrative, with alternate chapters attending to landscape and monuments. The authors present unfamiliar primary data and introduce some welcome new themes including reference to the monumental mason industry and cemetery infrastructure. The authors draw examples from England, Wales, Scotland and Northern Ireland and in doing so underline the very particular nature of Scottish funerary heritage. The book’s principal strength is its collection of illustrations that include historic and contemporary photographs, landscape design maps and postcards. The text brings the narrative completely up to date, with reference to the natural burial movement and landscapes designed to meet Muslim burial need. This text is now very probably the best introduction to the material culture of the British cemetery, written by experts with over 70 years’ experience in cemetery research and conservation. This interview, conducted by Julie Rugg of the University of York’s Cemetery Research Group, is a meeting of enthusiasts for a landscape form that is moving and thought-provoking in equal measure.

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Julie Rugg

Dr Julie Rugg is a Reader in Social Policy at the University of York, UK. She has an abiding interest in the ways in which societies come to an accommodation with mortality. The Cemetery Research website connects scholars with similar interests and in multiple disciplines from around the world.

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