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Jun 26, 2026
Venetian Canvas and the Transformation of Painting
Summary
Between
the fifteenth and early seventeenth centuries, European painting
underwent a profound transformation as artists increasingly painted on
canvas instead of wood or walls. Nowhere was more important to this
shift than Venice, where painters experimented with canvas with
remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton
University Press, 2026), Dr. Cleo Nisse investigates why Venetian
artists adopted canvas and how it revolutionized their art between 1400
and 1600.
Intertwining approaches from art history and art conservation, and
featuring stunning new photographs that show details as never before,
the book presents groundbreaking research based on close study of
Venetian artworks, archival sources, art-making treatises, and early
modern art criticism. It sheds new light on the materiality of early
modern canvas, its production and supply, and the influence of climate
on its use. The book offers fresh interpretations of iconic works and
important concepts such as pittura di macchia and non finito, and demonstrates how canvas contributed to the radical new style of painters such as Titian, Tintoretto, and Veronese. But above all else, it shows how canvas changed the making and meaning of paintings.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Your Host
Miranda Melcher
Dr. Miranda Melcher (Ph.D. in Defense Studies from Kings College London) is the host of New Books with Miranda Melcher where she interviews authors on a wide range of books related to history and politics.
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