Rosemary Lucy Hill, “Gender, Metal and the Media: Women Fans and the Gendered Experience of Music” (Palgrave Macmillan 2016)
How do women experience and participate in Metal? This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill, a lecturer… Read More
Johari Jabir, “Conjuring Freedom: Music and Masculinity in the Civil War’s ‘Gospel Army'” (Ohio State UP, 2017)
What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017). Conjuring Freedom analyzes the… Read More
Karmen MacKendrick, “The Matter of Voice: Sensual Soundings” (Fordham UP, 2016)
Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints, but irreducibly collective… Read More
Jennifer Fleeger, “Mismatched Women: The Siren’s Song Through the Machine” (Oxford UP, 2014)
Jennifer Fleeger‘s Mismatched Women: The Siren’s Song Through the Machine (Oxford University Press, 2014) tells the story of women in film and their representation as aberrations, but also as moments of emancipation and agency. Fleeger’s book discusses exceptional… Read More
Adriana Helbig, “Hip Hop Ukraine: Music, Race, and African Migration” (Indiana UP, 2014)
In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of… Read More
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