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Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.
What happened to freedom singing after Martin Luther King, Jr.’s assassination? Stephen Stacks considers this question in The Resounding Revolution: F…
Stephen C. Foster (1826–1864) was a prolific song composer. A few of his minstrel tunes have become so enmeshed in American musical culture that they …
Minstrelsy is often called the first American popular entertainment form. Minstrel shows presented musical, dance, and entertainment styles that conti…
Recently, musicologists and others have started writing about Black participation in opera. Lucy Caplan’s Dreaming in Ensemble: How Black Artists Tran…
In the late 1930s, fieldworkers with the Works Progress Administration interviewed about 3,500 formerly enslaved people resulting in approximately 20,…
Only 35 years old, Taylor Swift has already had a long career and is a pop culture icon. Her music and career are reported on by the world’s press, an…
Jazz is the music that many people associate with New Orleans. But before there was jazz in New Orleans there was opera. It was the only city in the U…
Michael Broyles examines a wide variety of musical, technological, and social currents that helped to shape American music in Revolutions in American …
William L. Dawson (University of Illinois Press, 2024) by Gwynne Kuhner Brown is a biography of the Black American composer, conductor and pedagogue. …
Sound Pedagogy: Radical Care in Music (University of Illinois Press, 2024) is a collected edition about Pedagogies of Care edited by Colleen Renihan, …
George M. Cohan was one of those rare Broadway figures who was a composer, lyricist, playwright, performer, director, theater owner, and star actor. H…
South Side Impresarios: How Race Women Transformed Chicago’s Classical Music Scene by Samantha Ege (University of Illinois Press, 2014) is a collectiv…
The 1950s looks placid from the outside, but underneath that calm post-war exterior roiled the intellectual and activist beginnings of the political m…
Every year a relatively small number of canonic operas are produced around the world. Many companies shy away from new works, afraid of alienating a p…
Soul is one of those concepts that is often evoked, but rarely satisfactorily defined. In The Meaning of Soul: Black Music and Resilience Since the 19…
Las Vegas is a place the American dream made; a city built in the middle of desert visited by millions of people every year hoping to make their dream…
Founded in 1925, the John Simon Guggenheim Memorial Foundation provides support to what their current website says are "exceptional individuals in pur…
Imagining Musical Pasts: the Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson (Clemson University Press, 2023) by Kr…
Ella Fitzgerald (1917–1996) was one of America’s greatest musicians. In this major biography, Becoming Ella Fitzgerald: The Jazz Singer who Transforme…
Francis O’Neill (1848–1936) was a Chicago police officer and a folk music collector. Michael O’Malley connects these two seemingly unrelated activitie…
Black vaudevillians and entertainers joked that T.O.B.A. stood for "tough on black artists." But the Theater Owner's Booking Association (T.O.B.A.) pl…
The heart of Brigid Cohen’s Musical Migration and Imperial New York: Early Cold War Scenes (University of Chicago Press, 2022) are the connections for…
On Music Theory and Making Music More Welcoming for Everyone (University of Michigan Press, 2023) by Philip Ewell is an unflinching look at white supr…
Literacy in a Long Blues Note: Black Women’s Literature and Music in the Late Nineteenth and Early Twentieth Centuries by Coretta M. Pittman (Universi…