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Nathan Smith is a PhD candidate in Music Theory at Yale University (nathan.smith@yale.edu).
Paul Robeson's Voices (Oxford UP, 2023) is a meditation on Robeson's singing, a study of the artist's life in song. Music historian Grant Olwage exami…
Blacksound: Making Race and Popular Music in the United States (U California Press, 2024) explores the sonic history of blackface minstrelsy and the r…
What did historical evolutionists such as Charles Darwin and Herbert Spencer have to say about music? What role did music play in their evolutionary t…
In a recording, what sounds count as music? Sounds made by a musician's body--including inhales, finger taps, and grunts--have for decades been dismis…
Hearing Luxe Pop: Glorification, Glamour, and the Middlebrow in American Popular Music (U California Press, 2021) explores a deluxe-production aesthet…
What is meaning? How does it arise? Where is it found in the world? In recent years, philosophers and scientists have answered these questions in diff…
In Dreams in Double Time: On Race, Freedom, and Bebop (Duke UP, 2023), Jonathan Leal examines how the musical revolution of bebop opened up new future…
Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrit…
How can we—jazz fans, musicians, writers, and historians—understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brube…
The Moog synthesizer ‘bent the course of music forever’ Rolling Stone declared.Bob Moog, the man who did that bending, was a lovable geek with Einstei…
In Earworm and Event: Music, Daydreams, and Other Imaginary Refrains (Duke UP, 2022) Eldritch Priest questions the nature of the imagination in contem…