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New York simmers with heat and unrest as Wyeth, a painter, finds himself at an impasse in his own work.
After attending a dubious show put on by a collective of careerist artists, he retreats to a bar in the West Village where he meets Keating, a former seminarian. Over the long summer, as the two get to know each another, they talk and argue about God, sex, and art.
Meanwhile, at his job working for an art restorer, Wyeth begins to investigate the life and career of a forgotten, minor black artist. His search yields potential answers to questions that Wyeth is only now beginning to ask about what it means to be a black artist making black art amid the mess and beauty of life itself.
Brandon Taylor is the author of the novels Minor Black Figures (Riverhead, 2025), The Late Americans and Real Life, which was shortlisted for the Booker Prize and the National Book Critics Circle John Leonard Prize, and named a New York Times Book Review Editors’ Choice and a Science + Literature Selected Title by the National Book Foundation. His collection Filthy Animals, a national bestseller, was awarded The Story Prize and shortlisted for the Dylan Thomas Prize. He is the 2022-2023 Mary Ellen von der Heyden Fellow at the Dorothy and Lewis B. Cullman Center for Scholars and Writers.
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Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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