In 1618, on the eve of the Thirty Years’ War, the German alchemist and physician Michael Maier published Atalanta fugiens
, an intriguing and complex musical alchemical emblem book designed to engage the ear, eye, and intellect. The book unfolds as a series of fifty emblems, each of which contains an accompanying "fugue" music scored for three voices. Historians of alchemy have long understood this virtuoso work as an ambitious demonstration of the art’s literary potential and of the possibilities of the early modern printed book.
lends itself unusually well to today’s digital tools. Re-rendering Maier’s multimedia alchemical project as an enhanced online publication, Furnace and Fugue
allows contemporary readers to hear, see, manipulate, and investigate Atalanta fugiens
in ways that Maier perhaps imagined but that were impossible to fully realize before now. An interactive, layered digital edition provides accessibility and flexibility, presenting all the elements of the original book along with significant enhancements that allow for deep engagement by specialists and nonspecialists alike.
Three short introductory essays invite readers to get acquainted with early modern alchemy, and Michael Maier. Eight extended interpretive essays explore Atalanta fugiens
and its place in the history of music, science, print, and visual culture in early modern Europe. These interdisciplinary essays also include interactive features that clarify and/or advance the authors’ arguments while positioning Furnace and Fugue
as an original, uniquely engaging contribution to our understanding of early modern culture.
Drs. Bilak and Nummedal are the editors of this innovative digital edition of a seventeenth-century alchemical text that combines text, image, and music. Furnace & Fugue
was developed by Brown University’s Mellon-supported Digital Publications Initiative, and published by the University of Virginia Press (2020) as an open-access edition.
Supported by the Andrew W. Mellon Foundation, the Gladys Krieble Delmas Foundation, and the Office of the Vice President for Research and the Social Science Research Institute at Brown University.
is an academic and a goldsmith. She is the Creative Director of 12 Keys Consultancy & Design, LLC, and an Independent Scholar. She is an historian of early modern science Donna's research extends to the cross-cultural examination of jewellery, artisanal technologies, and meaning-making with materials. Dr. Nummedal
is Professor of History and of Italian Studies at Brown University. She is the author of Alchemy and Authority in the Holy Roman Empire
(University of Chicago Press, 2007), Anna Zieglerin and the Lion’s Blood: Alchemy and End Times in Reformation Germany
(University of Pennsylvania Press, 2019). With Janice Neri and John V. Calhoun, she published John Abbot and William Swainson: Art, Science, and Commerce in Nineteenth-Century Natural History.