Few mainstream filmmakers have as pronounced a disregard for the supposed rules of filmmaking as Martin Scorsese. His inventiveness displays a reaction against the “right” way to make a movie, frequently eschewing traditional cinematic language in favor of something flashy, unexpected and contrary to the way “proper” films are done. Yet despite this, he’s become one of the most influential directors of the last fifty years, a critical darling (though rarely a box office titan), and a fan favorite.
In this book, Eric San Juan guides readers through the crooks, the mobsters, the loners, the moguls, and the nobodies of Scorsese's 26-movie filmography. The Films of Martin Scorsese: Gangsters, Greed, and Guilt
(Rowman and Littlefield, 2020) examines the techniques that have made him one of the most innovative directors in history. The book further looks at the themes that are the engine driving all of this, including themes of self-sabotage, alienation, faith, and guilt.
Eric San Juan has written a number of books, including one on Akira Kurosawa and co-authored two books on the films of Alfred Hitchcock. His Twitter handle is @ericsanjuan
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.