Aug 17, 2022

From Rebels to Rulers

Writing Legitimacy in the Early Sokoto State

Paul Naylor

Hosted by Sara Katz

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Summary

Sokoto was the largest and longest lasting of West Africa's nineteenth-century Muslim empires. Its intellectual and political elite left behind a vast written record, including over 300 Arabic texts authored by the jihad's leaders: Usman dan Fodio, his brother Abdullahi and his son, Muhammad Bello (known collectively as the Fodiawa). Sokoto's early years are one of the most documented periods of pre-colonial African history, yet current narratives pay little attention to the formative role these texts played in the creation of Sokoto, and the complex scholarly world from which they originated.

Far from being unified around a single concept of Muslim statecraft, Paul Naylor's book From Rebels to Rulers: Writing Legitimacy in the Early Sokoto State (James Currey, 2021) demonstrates how divided the Fodiawa were about what Sokoto could and should be, and the various discursive strategies they used to enrol local societies into their vision. Based on a close analysis of the sources (some appearing in English translation for the first time) and an effort to date their intellectual production, the book restores agency to Sokoto's leaders as individuals with different goals, characters and methods. More generally, it shows how revolutionary religious movements gain legitimacy, and how the kind of legitimacy they claim changes as they move from rebels to rulers.

Paul Naylor is a Cataloguer of West African Manuscripts at the Hill Museum and Manuscript Library, Minnesota. He has held teaching positions at Loyola University Chicago and Tulane University's Africana Studies Program.

Sara Katz is a Postdoctoral Associate in the History Department at Duke University.

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Sara Katz

Sara Katz is a postdoctoral fellow in the Arts & Humanities Grant Studio at UNC-Chapel Hill. Her research examines the history of the Nigerian hajj in the colonial and postcolonial periods. Her interests include Muslim-Christian relations, visual culture, and global Islam.

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