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I had the pleasure of interviewing poet, Terence Degnan while he sat on a bench in Sunset Park, Brooklyn. For those unfamiliar, we refer to Sunset not…
What is the best way to be a feminist? What is the best way to be a poet, a musician, or a painter? As a woman, what is the best way to be a friend to…
The "coming of age narrative" will never lose its allure because we are constantly drawn back to the moments that shaped us into the adults we are tod…
In Pull Yourself Together: The Gena Rowlands Poems (Dancing Girl Press, 2106), Amanda Deutch reminds us of the current and historic importance of the …
Where personal history and shared history intersect, we are left with the figures of memory and myth. These poems seek to reclaim the portions of pers…
I am not going to lie to you, dear reader, this collection will require you to be fully present. With each layer of the speaker that is revealed, you …
Now in its fifth printing of a very short life, Ashaki Jackson's Surveillance examines the relationship between acts of violence, the witnessing of vi…
With a genre-bending hybridity that Czerwiec is well-known for, Sweet/Crude: A Bakken Boom Cycle (Gazing Grain Press, 2016) takes the structure of a h…
After the enormity of our loss had been calculated, Guzman started writing. Drawn to the page to process his grief and to understand in the best way p…
Readers gather around: Political Punch: Contemporary Poems on the Politics of Identity (Sundress Publications, 2016) is an anthology for a new era. …
"Poems of Nomadic Dispersal" This latter phrase in the title of Janice A. Lowe's new book--LEAVING CLE: Poems of Nomadic Dispersal (Miami Universit…
What is explosion? What does language look like when it mimics a gas leak, a bang, or rubble? What does language look like when it orbits other sounds…
Tina Escaja's, Free Fall/Caida libre, translated by Mark Eisner (Fomite Press, 2015), is an exceptional example of poetry in translation as artistic c…
In Lady of the Moon (Headmistress Press, 2015), the reader is graced not only with the poetry of Amy Lowell, but with sonnets in response and a schola…
Winner of the Gazing Grain 2015 Chapbook contest, BIG BROWN BAGby Marisa Crawford is our final Chapbookapalooza installment. And what a way to end a g…
Dynamite (Bull City Press, 2015) is transit distilled. Anders Carlson-Wee's poems employ movement as mechanism and movement as reverence in a journ…
When Denise Levertov called Lynn Strongin a "true poet," she recognized an awareness that transcended the young poet's age. This very human awareness …
Alexis Rhone Fancher's State of Grace: The Joshua Elegies (KYSO Flash Press, 2015) is not an "easy" collection. This is not a group of poems that you …
The poem fragments in Hope Wabuke's Movement No. 1: Trains (Dancing Girl Press, 2015) function more as meditations than portions of a whole. They medi…
In her macabre pastoral landscape Fiddle is Flood (Blood Pudding Press, 2015), Lauren Gordon conjures up a persona far-reaching enough to grapple with…
Think of a place you have visited and to which you feel a connection. Now think of that place in utter ruin and devastation mere months later. You fee…
As pleasing to the eye as it is to the ear the contents of Meta Sama's le animal and other creatures (Miel Press, 2015) remind us that creativity take…
When I first read Suzanne Bottelli's The Feltville Formation (Finishing Line Press, 2015), I was struck by the quietude and steadiness of the poems. O…
With air-tight verse and talent for the surreal, Ross White invokes a sibling version of our world in his new collection How We Came Upon the Colony (…