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Mack Hagood is the Robert H. and Nancy J. Blayney Associate Professor of Comparative Media Studies at Miami University, Ohio, where he studies digital media, sound technologies, disability, and popular music.
The World According to Sound is the brainchild of two rogue audionauts who rebelled against the NPR mothership: Chris Hoff and Sam Harnett. It began a…
R. Murray Schafer recently passed away on August 14th 2021. If you’re someone who works with sound or enjoys sound art or experimental music–or you’ve…
Today, in honor of World Listening Day, we rebroadcast our story on renowned Australian sound composer, media artist and curator Lawrence English. Th…
What can sound technologies tell us about our relationship to media as a whole? This is one of the central questions in the research of Phantom Power‘…
Today we present the first episode of Jacob Smith’s new eco-critical audiobook, Lightning Birds: An Aeroecology of the Airwaves. In this audio-only bo…
Today’s guest, Kate Carr, is an accomplished sound artist and field recordist whose recent work grapples with issues of communication and longing—them…
Today, Phantom Power‘s Amy Skjerseth brings us the story of perhaps the most famous vocal performance artist and avant-garde musician whose actual wor…
What would happen if you took red state rural voters on a walk into the woods with left-wing environmental activists and experimental music fans? Our …
Today, we’re playing with voice assistants and thinking about the role of voices in gaming with our guest, game designer and NYU professor Frank Lantz…
Episode 21 presents a portrait of Iranian experimental composer Siavash Amini. His music, which moves seamlessly between contemplative ambience, menac…
What is radio art? It’s a rather unfamiliar term in the United States, but in other countries, it’s a something of an artistic tradition. Today’s gues…
What did going to the movies sound like back in the “silent film” era? The answer takes us on a strange journey through Vaudeville, roaming Chautauqua…
Why do certain musical sounds move us while others leave us cold? Are musical trends simply that—or do they contain insights into the culture at large…
In the 1950s, a schoolteacher named Carleen Hutchins attempted a revolution in how concert violins are made. In this episode, Craig Eley of the Field …
In an unusual episode, we listen back to field recordings that co-host cris cheek made in 1987 and 1993 on the island of Madagascar. It’s a rich sonic…
What would it be like if scholars presented their research in sound rather than in print? Better yet, what if we could hear them in the act of their r…
Working across and among languages, media, and art forms, Caroline Bergvall’s writing takes form as published poetic works and performance, frequently…
This week, we examine the sounds humans make in order to monitor, repel, and control beasts. Author Mandy-Suzanne Wong’s Listen, We All Bleed is a cre…
Charles Hayward is one of the most propulsive, resourceful and generative rock-plus drummers of the past half-century. An influential percussionist, k…
Season Two erupts in our ears with a film-noir soundscape—an eerie voice utters strange and disjointed phrases and echoing footsteps lead to sirens an…
Since the 1990s, many of Houston’s African American residents have customized cars and customized the sound of hip hop. Cars called “slabs” swerve a s…
On July 18th this year, Teresa Barrozo‘s question — What might the Future sound like? — will be opened to global participation. We bring news of World…
This episode, we talk with Jennifer Lynn Stoever–editor of the influential sound studies blog Sounding Out!–about her new book, The Sonic Color Line: …
This time we talk with a fascinating sound artist and composer Mack met at a recent meeting of the Society for Literature, Science, and the Arts. As h…