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Noelle Giuffrida’s book, Separating Sheep from Goats: Sherman E. Lee and Chinese Art Collecting in Postwar America (University of California Press, 20…
The Genji Album (1510) in the Harvard Art Museums is the oldest dated set of Genji illustrations known to exist. In The Tale of Genji. A Visual Compan…
Elisabeth A. Fraser's Mediterranean Encounters: Artists Between Europe and the Ottoman Empire, 1774–1839 (Penn State University Press, 2017) takes its…
The Making of a Modern Art World: Institutionalization and Legitimization of Gouhua in Republican Shanghai (Brill, 2017) investigates the production …
In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey…
In Steven Lubar’s latest book Inside the Lost Museum: Curating, Past and Present (Harvard University Press, 2017), Steven gets to the heart of what ma…
In Ming China and Vietnam: Negotiating Borders in Early Modern Asia (Cambridge University Press, 2016), Kathlene Baldanza explores the complex diploma…
In his latest book, Chinese Painting and Its Audiences published in 2017 by Princeton University Press, Craig Clunas puts to question the entire conce…
James Delbourgo's new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controve…
Tom Mullaney's new book The Chinese Typewriter: A History (MIT Press, 2017) provides a fascinating first look at the development of modern Chinese inf…