The reissue and revision of Martin James’ State of Bass: The Origins of Jungle/Drum & Bass
(Velocity Press, 2020) examines the origins and progression of British Junglism in the 1990s.
Rave culture’s clashes with UK government and police drove the scene into a dark space, but jungle/drum & bass emerged to capture a new audience of youth, creating what James labels as the first truly Black British music scene. James draws on interviews with key participants in the early junglism scene, examining social, cultural, and musical roots of the scene that became a global phenomenon.
Originally published in 1997, State of Bass: The Origins of Jungle/Drum & Bass
extends the original text to include the award of the Mercury Prize to Reprazent and brings new perspectives to the story of the UK’s most crucial subterranean scene.
is an internationally published music critic who has contributed to some of the UK’s leading music magazines.
Rebekah Buchanan is an Assistant Professor of English at Western Illinois University. Her work examines the role of narrative–both analog and digital–in people’s lives. She is interested in how personal narratives produced in alternative spaces create sites that challenge traditionally accepted public narratives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at firstname.lastname@example.org.