Jan 6, 2021

Modern Architecture and Climate

Design Before Air Conditioning

Daniel A. Barber

Hosted by Nushelle de Silva

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Summary

Modern Architecture and Climate explores how leading architects of the twentieth century incorporated climate-mediating strategies into their designs, and shows how regional approaches to climate adaptability were essential to the development of modern architecture. Focusing on the period surrounding World War II—before fossil-fuel powered air-conditioning became widely available—Daniel Barber brings to light a vibrant and dynamic architectural discussion involving design, materials, and shading systems as means of interior climate control. He looks at projects by well-known architects such as Richard Neutra, Le Corbusier, Lúcio Costa, Mies van der Rohe, and Skidmore, Owings, and Merrill, and the work of climate-focused architects such as MMM Roberto, Olgyay and Olgyay, and Cliff May. Drawing on the editorial projects of James Marston Fitch, Elizabeth Gordon, and others, he demonstrates how images and diagrams produced by architects helped conceptualize climate knowledge, alongside the work of meteorologists, physicists, engineers, and social scientists. Barber describes how this novel type of environmental media catalyzed new ways of thinking about climate and architectural design.

Extensively illustrated with archival material, Modern Architecture and Climate: Design Before Air Conditioning (Princeton UP, 2020) provides global perspectives on modern architecture and its evolving relationship with a changing climate, showcasing designs from Latin America, Europe, the United States, the Middle East, and Africa. This timely and important book reconciles the cultural dynamism of architecture with the material realities of ever-increasing carbon emissions from the mechanical cooling systems of buildings, and offers a historical foundation for today’s zero-carbon design.

Daniel A. Barber is an associate professor of architecture at the University of Pennsylvania Weitzman School of Design.

Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.

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Nushelle de Silva

Nushelle de Silva is a historian of the built environment, and Assistant Professor in Art History at Fordham University. Her research is broadly concerned with the relationships between architecture and mobility from the mid-nineteenth century to the present. Her current areas of interest include portable architectures and their materials; physical infrastructures for moving objects, people, and ideas; the effects of movement on the production and reception of design objects; and spatial forms of preservation for objects in transit.

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