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Nov 25, 2023
The Feeling of Letting Die
Necroeconomics and Victorian Fiction
Summary
In The Feeling of Letting Die: Necroeconomics and Victorian Fiction (Ohio State UP, 2023), Jennifer MacLure explores how Victorian novels depict the feelings that both fuel and are produced by an economic system that lets some people die in service of the free market. MacLure argues that Victorian authors present capitalism’s death function as a sticking point, a series of contradictions, and a problem to solve as characters grapple with systems that allow, demand, and cause the deaths of their less fortunate fellows.
Utilizing Achille Mbembe’s theorization of necropolitics, MacLure uses the term “necroeconomics,” positioning Victorian authors—even those who were deeply committed to liberal capitalism—as hyperaware of capitalism’s death function. Examining both canonical and lesser-known works by Elizabeth Gaskell, Harriet Martineau, Charles Dickens, William Morris, and George Eliot, The Feeling of Letting Die shows capitalism as not straightforwardly imposed via economic policy but instead as a system functioning through the emotions and desires of the human beings who enact it. In doing so, MacLure reveals how emotion functions as both the legitimating epistemic mode of capitalism and its most salient threat.
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Kendall Dinniene
Kendall Dinniene is a PhD candidate in English at Southern Methodist University in Dallas, Texas. Their dissertation excavates how American cultural production complicates and transforms dominant notions of fatness, revealing how these notions are intertwined with and produce ideas about race as well as gender, sexuality, health, and national identity. Their work relies upon queer theory, Black feminist theory, and fat studies scholarship alongside literary criticism to argue that how we understand fatness is crucial to the way we understand (and make) our world. Kendall's scholarship has appeared in Fat Studies: A Journal of Body Weight and Society and is forthcoming in Ethnic Studies Review.
