Growing up in suburban New York, Dylan lived through the unfathomable: three years as a victim of sex trafficking at the hands of Vincent, a troubled young man who promised to marry Dylan when he turned eighteen. Years later--long after a police investigation that went nowhere, and after the statute of limitations for the crimes perpetrated against him have run out--the long shadow of Dylan's trauma still looms over the fragile life in the city he's managed to build with his fiancé, Moans, who knows little of Dylan's past. His continued existence depends upon an all-important mantra: To survive, you live through it, but never look back.

Then a groundbreaking new law--the Child Victims Act--opens a new way foreword: a one-year window during which Dylan can sue his abusers. But for someone who was trafficked as a child, does money represent justice--does his pain have a price? As Dylan is forced to look back at what happened to him and try to make sense of his past, he begins to explore a drug and sex-fueled world of bathhouses, clubs, and strangers' apartments, only to emerge, barely alive, with a new clarity of purpose: a righteous determination to gaze, unflinching, upon the brutal men whose faces have haunted him for a decade, and to extract justice on his own terms.

By turns harrowing, lyrical, and beautiful, Hertz's debut offers a startling glimpse at the unraveling of trauma--and the light that peeks, faintly, and often in surprising ways, from the other side of the window.

Kyle Dillon Hertz is the author of The Lookback Window (Simon and Schuster, 2023), a New York Times Editors' Choice. His work can be found in Esquire, Freeman’s, Time, and more. He received his MFA from NYU and a residency from Yaddo. He teaches at The New School.

Recommended Books:

• Megan Nolan, Ordinary Human Failings
• Andrew Holleran, Dancer from the Dance
• Evan S. Connell, Mrs Bridge

Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.