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Find out more about Novel Dialogue and its hosts and organizers here. Contact us, get that exact quote from a transcript, and explore many more conversations between novelists and critics.
Aaron Gwyn is the author of four novels: The World Beneath, Wynn’s War, and, most recently, two wonderfully linked historical novels, All God’s Childr…
Álvaro Enrigue and critic Maia Gil’Adí begin their conversation considering translation as a living process, one that is internal to the novel form. Á…
In an essay about her recent book Searches (Pantheon, 2025), a genre-bending chronicle of the deeply personal ways we use the internet and the uncanny…
Fernanda Trías’s Pink Slime (Scribner, 2024) was first published in Spanish in October 2020, several months into a global pandemic that had bent our w…
In Season 9, Novel Dialogue set out to find the Venn diagram intersection of tech and fiction—only to realize that Kim Stanley Robinson had staked his…
What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generati…
It’s a bit surprising to hear a writer known for building worlds that incorporate deep historical research and elaborate technological details extol t…
We kick off Season 9: TECH by talking with our very own Aarthi Vadde, the E. Blake Byrne Associate Professor of English at Duke University. Hosts and …
Eighteenth century prison break artist and folk hero Jack Sheppard is among history’s most frequently adapted rogues: his exploits have inspired Danie…
During a desert thunderstorm outside Tucson, Lydia Millet joined the Novel Dialogue conversation with hosts John Plotz and Emily Hyde, with Emily play…
Imagine growing up between Sacramento, California and Logar, Afghanistan; you hear stories about war, watch coverage of the United States’ War on Terr…
What happens when a novelist wants “nonsense and joy” but his characters are destined for a Central European sanatorium? How does the abecedarian form…
An unforgettable horse gallops through the pages of Kaveh Akbar’s best-selling novel Martyr! (2024), but it is a figurative hastening toward failure a…
What does it mean for a novel to think globally? And can a global novel concerned with the macro movements of capital and labor still exist in the for…
What’s the truth and what’s a lie? What’s a memoir, what’s a novel, and what if both are just a series of “prose blocks”? This conversation between Sa…
Building parallels between technology and the human imagination, Masande Ntshanga’s conversation with Magalí Armillas-Tiseyra explains how cities are …
Omar El Akkad joins critic Min Hyoung Song for a gripping conversation that interrogates fiction’s relationship to the real. Before he became a noveli…
Brandon Taylor practices moral worldbuilding in his fiction—that means an essential piece of these worlds is the “real possibility that someone could …
Although Katie Kitamura feels free when she writes—free from the “soup of everyday life,” from the political realities that weigh upon her, and even a…
Anne Enright, writer, critic, Booker winner, kindly makes time for Irish literature maven Paige Reynolds and ND host John Plotz. She reads from The Wr…
Sheila Heti sits down with Sunny Yudkoff and ND host John Plotz to discuss her incredibly varied oeuvre. She does it all: stories, novels, alphabetize…
Just days before the release of her latest novel, The Vaster Wilds (Riverhead Books, 2023), three-time National Book Award Finalist and The New York T…
Shehan Karunatilaka’s The Seven Moons of Maali Almeida (Norton, 2022), which won the Booker Prize in 2022, is a thriller that begins in the afterlife,…
12 tables; 300 novels, 1500 pages of nature description: This is how Tom Comitta created The Nature Book, a one-of-a-kind novel cut from 300 years of…