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White Americans are confronting their whiteness more than ever before, with political and social shifts ushering in a newfound racial awareness. And with white people increasingly seeing themselves as distinctly racialized (not simply as American or human), white writers are exposing a self-awareness of white racialized behavior-from staunch antiracism to virulent forms of xenophobic nationalism. Ugly White People: Writing Whiteness in Contemporary America (U Minnesota Press, 2023) explores representations of whiteness from twenty-first-century white American authors, revealing white recognition of the ugly forms whiteness can take.
Stephanie Li argues that much of the twenty-first century has been defined by this rising consciousness of whiteness because of the imminent shift to a "majority minority" population and the growing diversification of America's political, social, and cultural institutions. The result is literature that more directly grapples with whiteness as its own construct rather than a wrongly assumed norm. Li contextualizes a series of literary novels as collectively influenced by changes in racial and political attitudes. Turning to works by Dave Eggers, Sarah Smarsh, J. D. Vance, Claire Messud, Ben Lerner, and others, she traces the responses to white consciousness that breed shared manifestations of ugliness. The tension between acknowledging whiteness as an identity built on domination and the failure to remedy inequalities that have proliferated from this founding injustice is often the source of the ugly whiteness portrayed through these narratives.
The questions posed in Ugly White People about the nature and future of whiteness are vital to understanding contemporary race relations in America. From the election of Trump and the rise of white nationalism to Karen memes and the war against critical race theory to the pervasive pattern of behavior among largely liberal-leaning whites, Li elucidates truths about whiteness that challenge any hope of national unity and, most devastatingly, the basic humanity of others.
Kendall Dinniene is a PhD candidate in English at Southern Methodist University in Dallas, Texas. Their dissertation excavates how American cultural production complicates and transforms dominant notions of fatness, revealing how these notions are intertwined with and produce ideas about race as well as gender, sexuality, health, and national identity. Their work relies upon queer theory, Black feminist theory, and fat studies scholarship alongside literary criticism to argue that how we understand fatness is crucial to the way we understand (and make) our world. Kendall's scholarship has appeared in Fat Studies: A Journal of Body Weight and Society and is forthcoming in Ethnic Studies Review.